Kenley Kristofferson

Composer.

Tag: icelandic festival

Sabbatical Roundup – Highlights

Today is the last day of my sabbatical.  Who would’ve thought 150 days would blow by so quickly?

It’s been a very productive five months, though, and I thought that I’d share some of my favourite events and projects from my sabbatical time.

1) Premiering Morgun with the Winnipeg Symphony Orchestra

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There is something very surreal about getting to work with some of the best musicians in your community.  Writing something for the WSO has always been something of an unattainable goal in my musical life.  I always sensed that they were on a different level than I am (and they really are), but a select few people with the right connections took a risk on me and, before I knew it, I had the commission – paid for and all.

While the premiere was amazing, I’ll never forget the moment that they started rehearsing it.  Both the conductor and the ensemble were in plain clothes and only Matthew Patton (composer and curator of the Winnipeg New Music Festival, which all of you should attend), Peter Johnson (editor of the Lögberg Heimskringla newspaper), Vikingur Ólafsson (the amazing Icelandic pianist with whom I had the privilege of sharing the concert) and I were in the hall.  When the strings started stacking the harmony through those opening measures, there was a feeling of awe and beauty like I’ve never felt before.

I’ll write more about the experience later on because there’s just so much to say.  It is quite surprising where music takes you.  Here are some pictures from the premiere!

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2) Meeting Maddy’s Mom

During the summer, I was asked to write a piece to commemorate the life of Madison Fleming, a 10th-grader from Olds, AB who had died suddenly just after school had been dismissed for the summer.  While the research was emotional, I was hardly prepared to walk into this girl’s home and sit with her Mom, Pam.

I wrote about the experience in Olds in an earlier post, but I didn’t write about meeting Pam – I’m not sure why, I just didn’t.  Her house was beautiful and well-kept and she greeted us at the door.  She had a friend with her and they were clearly talking about Maddy before Karri (the band teacher and commissioner) and I arrived, but she still smiled as she led us inside.

While looking at pictures and hearing stories, it was clear that the family was so happy and fulfilled before Maddy died.  While she was a fighter, she had her whole family behind her and they cherished every moment.  When you see pictures of the family at the lake or at her baseball game, there was a sense that no time was ever wasted, but instead was genuinely spent together.

Pam is a profoundly kind person and you know as soon as you see her.  She just brings an energy of warmth wherever she goes and I think about her family often.  It is quite surprising where music takes you.  #Kindnessmatters

3) Banff!

It took me a few weeks to really realize how transformative my time at the Banff Centre really was.  I worked so hard, I was exhausted, I was bitchy in the middle of it, but it was so worth it.  I met some incredible human beings, some wonderful musicians, and I got to work full-time on music for an ensemble for which I’d never written before.

Some of the people I got to meet:

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Sammy, Kelsey, Abby and Neil

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These lovely ladies, Kelsey and Jodi

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Here’s Abby, Jodi and Kenna, as well as Team Australia (Jessica and Xina, who are some of my very favourites)

And so many others too! Including the wonderful Sarah Slean, who is also one of my very, very favourite human beings.

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And here’s where we were…

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4) The Release of Horus Heresy: Drop Assault

I’ve worked on very few contracts/commissions that actually scare me – DuckTales: Scrooge’s Loot, The Matters of Kindness – but Drop Assault was definitely one of them.

I play Dungeons & Dragons with someone who is very serious about the Warhammer 40K universe, but particularly the Horus Heresy origin story of it.  When I found out that Complex Games had gotten the rights to make a game set in that universe, I was hoping that I could write for it and, thankfully, I was the guy.

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The advance for the contract was almost-entirely spent on upgrading my instrument libraries.  I knew that what I had wasn’t good enough for a game of that scope and depth, so I took inventory of what I needed and went up from there.

That being said, I’m super proud of the game and I’m quite pleased with the score.  We worked really hard on it and it took many resubmissions to get it right, but we definitely got it.  You can pick it up here if you want to check it out!

5) Finishing the “Icelandic Folk Song Suite”

It was the hardest thing I ever wrote – and by “hardest,” I mean the most technically complicated and harmonically complex.  It’s Level 5 (second hardest level in Concert Band music), four movements and eleven minutes long.  I had it kicking around in my head for about a year, but I knew that I had to get it down, I just needed the time…

And it took about six solid months.  Granted, I didn’t work on it every day, but it was always there writing itself in my head as I was doing other things.

It premieres on May 4th, 2015 by the Winnipeg Wind Ensemble.  Going to be a wild good time!

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There is so much more I could write about (getting published in The Teacher, for example), but there’s something to be said for just having the time and energy to do things right.  Not to be rushed to finish a commission or a game contract, but just having the time to make it as great as it can be.

I am so grateful to my school and school division for allowing me to take one semester to write.

Now back to the classroom 🙂

-K

 

Morgun – *WORLD PREMIERE!*

I am so excited to announce, in conjunction with the Winnipeg Symphony Orchestra and the Icelandic Festival of Manitoba the WORLD PREMIERE of my work for Symphony Orchestra, Morgun.

It premieres on October 31st, 2014 at 8:00pm at the Winnipeg Centennial Concert Hall in Winnipeg, Manitoba, Canada.

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(that’s not me, we just look weirdly alike)

“Morgun” is Icelandic for “morning” and, when I was approached to write a piece as part of the 125th anniversary of the Icelandic Festival, I knew that its heart would be morning.  Perhaps the first morning after the settlers arrived, perhaps “morning” as a metaphor for the start of something new.  At its heart, it was the start of something new.

Growing up in Gimli, MB (the home of the festival) and being Icelandic, the story of the settlers coming over from Iceland in the mid-1800s has always been a part of my being.  Both sets of grandparents spoke Icelandic fluently and I grew up hearing it.; at Christmas, there was never a shortage of pönnukökur or vinatarta, and we were always in town for the festival (but usually working for most of it, being a local and all).

When I was approached by Janice Arnason to compose a piece for the 125th, I was elated.  Janice was last year’s president of the festival as well as my elementary music teacher, piano teacher, and Grade 6 LA/SS teacher – this is how small towns work 🙂 Anyway, I feel immense gratitude that she would ask me to commit something so important and meaningful to the culture of our town.  Even though I’ve worked games for some pretty big franchises, I only have three things published for actual ensembles of live human beings, so I’m still a bit green to professional writing, if you look at it objectively.

But that’s part of growth: If you work really hard, do good work, and are an easy person to work with, people you respect will take risks on you.  This is how it works – someone needs to take a risk on you, and the beauty of a small town is that it’s easy to take a calculated risk because the people you respect have known you your entire life.

In short, I am grateful.  To some degree, I am also lucky, but working hard can help you load the dice.  Like measured risk, it’s measured luck, but I am always grateful when it actually works out 🙂

I’ll post more about the process later on!

Kenley